Zeroland (part I)

by GLEAM

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1.
anytime wild horses dance over the waving grass all the way her inner light it stirs inside in all its might dance on, fresh, bright-colored creatures invisibly winged over brown and green you were moving like a sexy wind i stared at your fairy-like blinks your moves look so natural now that staring is perpetual the dance of the blades of grass months have passed, kings have left we must start all things again pure flowers vanished, none’s left here they all perished into sluts dance in your unreal uniqueness you’re the only one flowerish-style dance, dance, dance, i hear you dance, dance, dance, i see you glance, glance, glance, is that your trance, trance, trance, or real romance, romance a raw romance with a stout chance to get undressed and dance undressed and dance undressed and dance, dance, dance, i hear you dance, dance, dance, i see you glance, glance, glance, is that our raw romance, we’ll dance… blades of green grass i’m in first class watching you dance undressed and dance on these fields of beds made of grass we smell
2.
05:23
he didn’t mean to push you down he didn’t mean to push you down later concrete seeped out red young scars appeared on your head he didn’t mean to push you down and he wasn’t meant to hear that sound from behind walls all fights seem a bit odd low frequencies delicately kill and armors take time to form it’s nothing just a fight it happens all the time at least when lovers lie nothing just a couple of cries when parents say goodbye doesn’t mean they’ll forget about the child i swear i'll never lie to you again now that he's grown it's a blur, it's a stone the dim sound of it all and the lump in the throat still endure... then tapping on chinese paths (his frigid meridians) that anguishing energy is just cancelled as easy as that... thus turned into a movie scene impassive outsider to it no more ancient sorrow hides within and you come talk to me promoting traditional psychology?
3.
your antidemocratic approach to a backyard feast pointing class out with implicit twirls of ancient wrists structured as crystal beams of eloquence your peers only perceived expressionism spawning i was enjoying the cold, wet surface of my bottle relentlessly closer to her grassy death as it slipped out of my hand my niceties trapped in a mid-west sky lame witness of chatters, drunk guys, a hi-fi… while one character of the play stood out, and that was, you very tempting but i’ve got to go though i had a crush on you i had a spell on you “you should have tried”
4.
last train last day that sort of pain you just did not deserve on your last day some way… we’ll share ancient laughters with angels or devils rush upon alleys of ethereal rhythm we knew your song when you were already gone just hold tight man you’re on space express enjoy your trip there’s no end to it just count your steps just breathe this air just feel you’re not that different and just count… and tell me what you want you'll wake and experience space you will know no obsession discover raw passions i picture you dancing on comets where tensions easily stride away and leave no room for pain your way, you'll fly away Rigel will scare you as your own companions hand in hand have a toast and then odysseys follow in indie dimensions where new victories will undo stalled conventions meanwhile some grieve while others crouch deep
5.
when you return i will stop casting these cruelties at you just flashes in my head all features of you i have left memories are mine as well as they are yours forever, mine forever can’t think of someone else to relive moments of our private past that’s where you stand amongst all life’s good things that’s where you’ll land once you find your wings are wide enough your wings are wide enough your warmth still by my side, where memories are mine and yours forever memories are yours and mine forever twenty years ago… twenty years ago! you’re never really gone (hey! stay!)

about

"[...] Realizziamo che nella sua crudeltà, frutto di un progettato declivio, sia prevista e contemplata la meraviglia, a pareggiare il deserto, senza il quale la differenza tra colore e prigione non potrebbe che essere inconsistente, in quanto delta naturale e aritmetico tra bello relativo e scabroso relativo, una meraviglia permessa da un'ora d'aria, una valvola che esplode nella sala di rianimazione delle idee, sarebbe colonna sonora, sonetto, credo, moda, pittura, contrasto, fenomeni tutti giudicati fastidiosi dai progettisti di una terra Zero, che poi non esiste sul mappamondo, sia chiaro, essa è il mappamondo stesso, puntualmente in sommossa, generalmente immobile, dove capita che la creazione spezzi la sua obliquità in evento finalmente orizzontale, volto alla speranza, pedonabile un po' da tutti [...]"
(www.gleamstation.com/2012/10/prologo-ad-un-progetto.html)

credits

released October 14, 2013

"Zeroland (part I)" by GLEAM
recorded between December 2011 and August 2013 at "Il Covo della Conversazione" and at "Black Bananas Studio", Brescia, Italy

Music & Lyrics by GLEAM
Recording & Editing by GLEAM
Recording, Mixing & Mastering by Andrea Gipponi at "Black Bananas Studio"
Lyrics Supervision by Bryan Balduf
Album Cover Picture by MM
Graphics by GLEAM

Thanks for the special support: Andrea Gipponi, Bryan Balduf, Giovanni Raccagni, MM

«To those who don't run away but would want to;
Hoping they will»

© GLEAM 2013. All rights reserved.

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about

GLEAM Italy

Founded in 2003, from rock/blues influences, today oriented to alternative/indie/prog/pop/electro rock environments.

3 demos ('03-'04-'05)

Albums/EPs:
"Lip and Tremble", dec '05
"Lip and Tremble (Radio Edit)", apr '06
"Lady Psyché and her Heart Mechanix", dec '10
"Happy birthday Guru", apr '12
"Zeroland (part 1)", oct '13

Full Bio: www.gleamstation.com/p/bio_1071.html
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